Abstracting familar landscapes

Industrial Estates

Somewhere between the trains and the highway

a cool location i’ve always wanted to take photos of..helped out Anthony Keenan (Yr 4) with his shoot, and gave my camera a bit of a workout, tripod in hand.

there’s a storm a’comin..

 

 

 

 

 

 

 

 

 

 

 

At this stage i’m running around with:

• Street Scenes
• Night
• Long Exposures
• Weird light sources created/seen in the night
• using existing structures and making new angles of view

visually brainstorming my ideas of isolation..

Upon working with plotless narratives/narratives/scenarios i’ve decided that i’ve exhausted the interest I had in them.

I’m more curious about the locations themselves, the lighting, the mysterious histories. So i’ve decided (with two weeks to go) that i’m going to start photographing these locations again, like I originally wanted to.

This leaves me with a new brainstorm, at the moment i’m thinking about street photography and narrative without people, and the strong emotions one can take from a still image of a moving, breathing place.

Klaus Pichler, photographer

http://www.kpic.at/

into the supermassive

Messing around with the projector, long exposure, and cool imagery.

Nadav Kander, photographer

Ewen Spencer, photographer/director and main inspiration for this semester’s work

Hannah Starkey